By Barbara Feinman Todd
An comprehensive former ghostwriter and ebook researcher who labored with Bob Woodward, Carl Bernstein, Ben Bradlee, and Hillary Clinton is going behind-the-scenes of the national’s capital to inform the tale of ways she survived the fascinating, yet self-important and self-promoting international of the Beltway.
Barbara Feinman Todd has spent an entire life aiding people inform their tales. within the early Eighties, she labored for Bob Woodward, first as his study assistant within the paper’s investigative unit and, later, as his own researcher for Veil, his bestselling ebook concerning the CIA. subsequent she helped Carl Bernstein, who was once suffering to complete his memoir, Loyalties. She then assisted mythical editor Ben Bradlee on his acclaimed autobiography A stable Life, and he or she labored with Hillary Clinton on her bestselling It Takes a Village. Feinman Todd’s involvement with Mrs. Clinton made headlines whilst the 1st girl missed to recognize her function within the book’s production, and later, while a disclosure to Woodward concerning the Clinton White apartment seemed in a single of his books. those occasions haunted Feinman Todd for the following twenty years until eventually she faced her earlier and chanced on whatever startling.
Revealing what it’s wish to get into the heads and hearts of a few of Washington’s such a lot compelling and robust figures, Feinman Todd bargains actual pics that transcend the rigorously polished public personas which are the traditional fare of the Washington exposure manufacturing unit. At its center, Pretend I’m no longer Here is a humorous and drawing close tale of a tender girl in a male-dominated international searching for her personal voice whereas eloquently conversing for others.
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Additional info for Pretend I’m Not Here: How I Worked with Three Newspaper Icons, One Powerful First Lady, and Still Managed to Dig Myself Out of the Washington Swamp
Haldeman, John Mitchell, and others. It was also a story about what happened to journalism in the early 1970s and key figures like Bob Woodward, Carl Bernstein, Ben Bradlee, and others. They redrew the map of modern journalism, moving the Washington Post from the margins to the center, sharing prime media real estate only with the New York Times. I don’t think I fully appreciated my close proximity to this eminence when I was twenty-three, just a year into my Washington adventure. Like many of my peer group, I knew the rough outline of the Watergate story, that two young, male reporters stumbled onto the aftermath of a break-in at the Watergate office complex and that their reporting led them all the way to the president of the United States.
In high school they’d been the ones who had taken refuge in the school newspaper, or, if they were late bloomers, hadn’t found their passion and tribe until they’d arrived at college, where they had stumbled into a campus newsroom and never left. They spent the next four years socializing exclusively with other student journalists, the closest facsimile to a band of brothers that civilians can join. ” The newsroom crackled with a collective ambition that demanded you subscribe to or risk being left behind.
At any moment, and we might not be ready to go. Other than that, I didn’t mind the grunt work. I basked in the reflected star power around me. The Washington Post newsroom in 1982 felt like a grand social science experiment being conducted on hundreds of idiosyncratic journalists with IQs north of 130. I was assigned to the highly regarded Style section, a new, modern iteration of the women’s pages, birthed in 1969 by the newspaper’s famous editor, Ben Bradlee, who came up with the idea of a section for an edgy, in-your-face kind of writing that would push the boundaries of where soft newswriting could go, stylistically, tonally, and topically.