By Steiner S.H., Cook R.J.

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Born to Romanian and Greek parents, as she was growing up, the Eastern lifestyle, tradition, and culture existed in her surroundings as surely as their Western counterparts, constituting an integral part of her familial life. Undoubtedly, she had no need to formally acquire the Near Eastern and Middle Eastern characteristics of life and art, as she inherited them naturally from her family. Indeed, many of 1RDLOOHV¶V SHUVRQDO YLHZV DQG OLWerary inclinations mirror significant elements of Sufism and confirm that, for her, Sufism was a way of life as well as a source of inspiration for her art.

In Broche 385). ] (Cocteau 20; qtd. in Broche 385; Allard 142). 15 In Persephone Unbound, Catherine Perry mentions critics, such as Nicolas Ségur, ZKR³DGPLUHGKHUZRUN´EXWFULWLFL]HG LWIRUEHLQJGRPLQDWHGE\³VH[²love, sensualLW\DQGIHDU´  DQG-RVp2UWHJD \ *DVVHW ZKRFULWLFL]HGWKHO\ULFTXality of her ZRUNDVSULYDWHDQGEHORQJLQJ³WRWKHLQWLPDF\RIWKHERXGRLUUDWKHr than the public IRUXP´   )RUDQ\RQHZKRLVXQLQIRUPHGDERXWWKHLPSDFWRI6XILSKLORVRSK\RQ1RDLOOHV¶s life and art, especially during her stay in Istanbul, her poems addressed to God would seem contradictory to her statement about her lack of faith in God: Anna de Noailles 49 demned heU ZLWK FKDUJHV RI QDUFLVVLVP ³µShe remained incurably heUVHOIEOLQGHGE\KHURZQOLJKW¶ (Les Nouvelles Littéraires [6 May @ ´ (cf.

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