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And Introduction Peter Firchow (Minneapolis: University of Minnesota Press). Schlegel, F. (1980) Literarische Notizen 1797–1801, H. ) (Frankfurt: Ullstein Materiaien). Stevens, W. (1951) The Necessary Angel: Essays on Reality and the Imagination (New York: Vintage). Williams, E. (1993) The Mirror and the Word: Modernism, Literary Theory and George Trakl (Lincoln, NE: University of Nebraska Press). Ziarek, K. (1994) ‘The Other Notation: Stevens and the Supreme Fiction of Poetry’, Inflected Language: Towards a Hermeneutic of Nearness: Heidegger, Levinas, Stevens, Celan (Albany: SUNY Press), pp.

At the same time, however, the given idea no longer collides with another – as ‘property-owner’ collides with ‘proletarian’ – in the interest of plot development; rather, just as the hero is tested in the adventure novel, here the idea itself is tested against the unexpected and ‘unpredetermined’ – that is to say, the very notion of ‘property-owner’ and ‘proletarian’ is put to the test: In Dostoevsky, the adventure plot is combined with the posing of profound and acute problems; and it is, in addition, placed wholly at the service of the idea.

1989) Qu’est-ce qu’un genre littéraire? (Paris: Seuil). -M. (1989) ‘Literary Genres and Textual Genericity’, trans. A. ), The Future of Literary Theory (London: Routledge), pp. 167–187. Schlegel, F. (1971) Friedrich Schlegel’s Lucinde and the Fragments, trans. and Introduction Peter Firchow (Minneapolis: University of Minnesota Press). Schlegel, F. (1980) Literarische Notizen 1797–1801, H. ) (Frankfurt: Ullstein Materiaien). Stevens, W. (1951) The Necessary Angel: Essays on Reality and the Imagination (New York: Vintage).

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