By Katherine Reynolds; Kidd, Dafydd, ;Little, Charles T. Brown
Искусство раннего Средневековья из собрания Metropolitan Museum of paintings. Оружие, украшения, предметы быта остготов, лангобардов, франков и англосаксов. Более six hundred фотографий. the humanities of the Early Medieval interval shape a huge, but little-known, a part of the cloth from the center a long time within the Metropolitan Museum of paintings. contemporary examine in this attention-grabbing interval from nearly A.D. four hundred to 800 finds a extra accomplished photo of what has been usually known as the darkish a long time or the Migration interval. The twenty-six essays during this quantity give you the first in-depth learn of this American repository of arts representing the various cultures and peoples that created early Europe, together with the Ostrogoths, the Langobards, the Franks, and the Anglo-Saxons. the goods of this nice age of «portable paintings» diversity from complex weapon fittings and ornate buckles to gold brooches and different intricately designed and embellished jewellery. Over 600 black-and-white images and eighteen color-plates dramatically testify to the intensity, breadth, and sweetness of the Museums Early Medieval assortment.
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Additional resources for From Attila to Charlemagne: Arts of the Early Medieval Period in The Metropolitan Museum of Art
You still want to be able to see the image, but this softens it a bit. Let the gesso dry. Take a fine-point pen or marker and define the area you want to bring out. Add your own details to both the background and the image. Give your figure accessories! 4 5 Color Image In Add Opaque Pen Details Begin coloring with paint and a detail brush in some areas. This is similar to paint-by-numbers. It’s okay if you paint over some of the pen lines—you can go back over them later, if you wish. Don’t be afraid to try changing things like the shape of the hair or the design in the background.
3 Add Images Add collage images to the card with gel medium. You should place some of the images over the string. 4 Apply Layers of Paint Soften the edges of the paper pieces with a bit of gesso. Now you can paint over the card with washes of color. Pounce with a denser consistency of paint in the string areas to work in the paint. I like to work with about three close-in-value colors at a time. 39 Reiny Rizzi Barbe Saint John Lyn Cardinal s Linda Wood 40 Peter Hollinghur st Eunice Timoney Raven na Maria Lamb Katie Kendrick 41 p aper e u s tis Tissue paper is very versatile and inexpensive.
Sprinkle the embossing granules over the ink. Tap off the excess and then heat to melt with a heat gun. Do not overheat it or it will be less textured and more glass-like. Let cool, then brush gesso over the embossed card. When the gesso dries, drybrush an acrylic paint over the card. Feel free to use more than one color. Rebecca Zuniga Gloria Page 55 glass-like resin You can use this technique to put a finishing touch on a collaged card, or you can apply it to a simple backdrop of acrylic or watercolor.