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Extra resources for Curtiss P-36 Hawk p1

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MAKING CHANGE So a screenwriter’s job, in a nutshell, is making change. ) Articulating the surface and deep action is just the beginning. Now you have to make those patterns of human change happen in a compelling credible way. But how? How do you build a pattern of change? Think of it as a pathway your character is moving along. What is that path made of? Stepping stones. In screenwriting, these stepping stones are specific moments of change. a. dramatic events. And once you can write a credible, compelling moment of change, you’re well on your way to writing good screenplays.

2 CONNECTING TO SELF There’s a depressing rumor going around that there’s nothing new under the sun. Every story’s been told. When you go to the movies, it’s easy to see how this rumor got started. Few films are fresh. Most are warmed-over versions of what we saw last year. We wander out of the theatre convinced that everything has been done. So how, my students ask, can their screenplays be unique? The answer, I say, is . . LE MENU Le what? Le Menu. A cross-section of their concerns. Self-analysis lite, so to speak, like those low-cal frozen dinners (I jokingly called it Le Menu one day in class.

Go for walks, runs, or long drives. Nothing gets the Muse talking faster than motion. Just be sure, when she does, that you can take notes. Thomas Jackson always carries a small tape recorder in his car. I carry a folded four-by-six card and a pen when I go for long walks. When I drive, I keep a clipboard and a pen on the seat right beside me. I strongly recommend pulling over before you start writing. If you don’t, pay attention. For that matter, pay attention all of the time. That’s the best thing you can do for yourself as a writer.

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