By Claudia H. Johnson

Specified, groundbreaking, witty, and very academic, that is why i have followed it for all my screenwriting periods. greater than the other writing ebook i have required -- and belief me, i have attempted much -- Crafting brief Screenplays evokes my scholars to dig deeper -- to create richer tales, extra complicated characters, extra deeply felt motion pictures. That most likely explains why it is the simply screenwriting e-book on AFI's normal urged examining checklist. No slouches they.

After utilizing the second one variation for years, i used to be wanting to learn this revised model. i am chuffed to document that the easiest retains recovering! Dr. Johnson has multiplied a number of sections and further a truly valuable bankruptcy approximately personality. She's additionally integrated a brand new brief script/film and a webisode script, which i used to be comfortable to determine, in view that increasingly more of my scholars are looking to write for the web.

The screenplays the following diversity from thirty seconds to thirty mins, however the e-book has nice sensible software for beneficial properties to boot -- and provides priceless insights that would significantly increase, even revolutionize, the paintings of any beginner or verified author. Yep, it is that good.

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Extra resources for Crafting Short Screenplays That Connect, Second Edition

Example text

MAKING CHANGE So a screenwriter’s job, in a nutshell, is making change. ) Articulating the surface and deep action is just the beginning. Now you have to make those patterns of human change happen in a compelling credible way. But how? How do you build a pattern of change? Think of it as a pathway your character is moving along. What is that path made of? Stepping stones. In screenwriting, these stepping stones are specific moments of change. a. dramatic events. And once you can write a credible, compelling moment of change, you’re well on your way to writing good screenplays.

2 CONNECTING TO SELF There’s a depressing rumor going around that there’s nothing new under the sun. Every story’s been told. When you go to the movies, it’s easy to see how this rumor got started. Few films are fresh. Most are warmed-over versions of what we saw last year. We wander out of the theatre convinced that everything has been done. So how, my students ask, can their screenplays be unique? The answer, I say, is . . LE MENU Le what? Le Menu. A cross-section of their concerns. Self-analysis lite, so to speak, like those low-cal frozen dinners (I jokingly called it Le Menu one day in class.

Go for walks, runs, or long drives. Nothing gets the Muse talking faster than motion. Just be sure, when she does, that you can take notes. Thomas Jackson always carries a small tape recorder in his car. I carry a folded four-by-six card and a pen when I go for long walks. When I drive, I keep a clipboard and a pen on the seat right beside me. I strongly recommend pulling over before you start writing. If you don’t, pay attention. For that matter, pay attention all of the time. That’s the best thing you can do for yourself as a writer.

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