By Nate Cooper, Kim Gee

Construct your personal web site is a enjoyable, illustrated creation to the fundamentals of making an internet site. sign up for Kim and her little puppy Tofu as she learns HTML, the language of web content, and CSS, the language used to type web content, from the net Guru and Glinda, the great Witch of CSS.

Once she figures out the fundamentals, Kim travels to WordPress urban to construct her first site, with Wendy, the WordPress Maven, at her facet. They take regulate of WordPress® issues, set up priceless plugins, and more.

As you stick with alongside, you'll learn the way to:

Use HTML tags
Make your website shine with CSS
customise WordPress to suit your needs
select an organization to host your web site and get suggestion on picking out an outstanding area name

The sufferer, step by step recommendation you'll locate in construct your personal web site may help you get your site up and operating very quickly. cease dreaming of your excellent web site and begin making it!

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Extra info for Build Your Own Website: A Comic Guide to HTML, CSS, and WordPress

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MAKING CHANGE So a screenwriter’s job, in a nutshell, is making change. ) Articulating the surface and deep action is just the beginning. Now you have to make those patterns of human change happen in a compelling credible way. But how? How do you build a pattern of change? Think of it as a pathway your character is moving along. What is that path made of? Stepping stones. In screenwriting, these stepping stones are specific moments of change. a. dramatic events. And once you can write a credible, compelling moment of change, you’re well on your way to writing good screenplays.

2 CONNECTING TO SELF There’s a depressing rumor going around that there’s nothing new under the sun. Every story’s been told. When you go to the movies, it’s easy to see how this rumor got started. Few films are fresh. Most are warmed-over versions of what we saw last year. We wander out of the theatre convinced that everything has been done. So how, my students ask, can their screenplays be unique? The answer, I say, is . . LE MENU Le what? Le Menu. A cross-section of their concerns. Self-analysis lite, so to speak, like those low-cal frozen dinners (I jokingly called it Le Menu one day in class.

Go for walks, runs, or long drives. Nothing gets the Muse talking faster than motion. Just be sure, when she does, that you can take notes. Thomas Jackson always carries a small tape recorder in his car. I carry a folded four-by-six card and a pen when I go for long walks. When I drive, I keep a clipboard and a pen on the seat right beside me. I strongly recommend pulling over before you start writing. If you don’t, pay attention. For that matter, pay attention all of the time. That’s the best thing you can do for yourself as a writer.

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