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Ars Christiana: In Memoriam Michail F. Murianov (21.xi.1928 -

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Gr. 71 testifies to the innovative features in the offices for the liturgically most significant feasts of the month. (76) Т. СУБОТИН-ГОЛУБОВИЋ, Одвоjене службе светима у грчким минеjима XI века, Археографски прилози 9 (1987) 317–320. , 318. c. Analysis Except for the complete calendar, which covers all days of the fixed ecclesiastical year, and also with the exception of the function of the Menaion, which is intended for the celebration of the fixed feasts (while the Triodion and Octoechos contain the chants for the yearly movable and the weekly liturgical cycles sequentially), the significant structural innovations of the archaic peripheral Menaia in comparison to the younger Tropologion are the arrangement of chants by genre regardless of liturgical position and the use of daily kathismata, as Nikiforova noted.

1989 (Београд: Српска академиjа наука и уметности, оделениjе jезика и књижевности, 1995) 444; M. A. Momina, Einführung, in: M. A. Momina, N. –14. Jahrhunderts I: Vorfastenzeit (Paderborn—München— Wien—Zürich: Ferdinand Schöningh, 2004) (Abhandlungen der NordrheinWestfälischen Akademie der Wissenscha en, 110; Patristica Slavica, 11) *220, *248–*249; З. РАНКОВИЋ, Структура Братковога Минеjа. rs/view_file. file_id=1583); Р. pdf). 2 (2011–2012). 55 Below we will examine the correlation between the genres of Constantinopolitan origin, the kontakion and exaposteilarion, and the makarismoi originating in Palestine, as a ested by the Menaia and partially by the Triodia of the 9th–12th cc.

Gr. 2 and Vat. gr. 771, are of Campanian provenance,92 and thus the rare and exceptional “reverse” order of chants in the archaic office Menaia and Triodion testifies to peripheral branches of Byzantine tradition. The peripheral origin of the “reverse” order of chants is important for the reconstruction of that part of the Byzantine liturgical legacy on which the earliest Old Slavonic hymnography was pa erned. It has been established by Vatroslav Jagić and later on by Michail Fyodorovich Murianov, Natalia Alexandrovna Nečunaeva, and then by Evgeny Michailovich Vereščagin that the “reverse” order of chants is a characteristic of the linguistically and typologically archaic Old Church Slavonic Menaia and Triodia which had originated in the First Bulgarian Kingdom in the first half of the 10th c.

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